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1 – 2. Documentation of Experimenta Make Sense: International Triennial of Media Art. Shown Gallery 1, 2 & 3, Latrobe Regional Gallery, 2019.
3. Detail of Ella Barclay, Access Remote Fervour, 2017, 2 channel looped video with sound, acrylic, water, electronics, aluminium, 7.00 mins, 2 tanks each 230 x 20 x 90 cm each, Courtesy the artist. Shown Gallery 3, Latrobe Regional Gallery 2019 as part of Experimenta Make Sense.
4. Matthew Gardiner, The Folded Geometry of the Universe, 2016, 3D nylon print, 65 x 70 x 30 cm, Courtesy the artist. Shown Gallery 3, Latrobe Regional Gallery 2019 as part of Experimenta Make Sense.
5. Scale Free Network, A Hierarchy of Eddies, 2017, Custom-built welded steel frame and form-ply chamber, steel fan base, pre-fabricated pedestal fan and light fixtures, polystyrene balls, electrical components, 250 x 240 x 360 cm. Photo by Zaylee Saint James Turner © the artists. Shown Gallery 3, Latrobe Regional Gallery 2019 as part of Experimenta Make Sense.
6. Detail of Briony Barr, Drawing on Complexity (The Experimenta Series), 2017, Electrical tape, ply materials and rule station, participating agents, Dimensions variable. Photo by Theresa Harrison © the artist.
7. Documentation of Briony Barr, Drawing on Complexity (The Experimenta Series), 2017 as part of Experimenta Make Sense. Shown Gallery 1, Latrobe Regional Gallery, 2019.
8 – 9. Steve Berrick, Hello Future Self, 2017, Custom software, custom ply scanning station, camera, pencils and paper, interactive projection, Dimensions variable, Courtesy the artist. Shown in The Lane, Latrobe Regional Gallery, 2019 as part of Experimenta Make Sense.

EXPERIMENTA MAKE SENSE:
International Triennial of Media Art

6 April to 30 June 2019
Gallery 1, 2 & 3 & The Lane


Experimenta Make Sense: International Triennial of Media Art
is an exhibition that expresses the disconcerting and delightful world of the digital age. Both playful and challenging, each artwork asks audiences to immerse their senses into a ‘thinking’, ‘feeling’ and ‘doing’ contemplation of what it is to be human in the digital age of technological acceleration.

Biologist E.O. Wilson believes ‘the real problem of humanity is the following: we have Paleolithic emotions; medieval institutions; and god-like technology.’

Curated by Jonathan Parsons and Lubi Thomas, Experimenta Make Sense features over 20 leading international and Australian artists who engage directly with this conundrum.

 

 

Experimenta Make Sense International Triennial of Media Art Logo